Ganondorf fights Link by possessing Zelda and then transforming into a massive boar-like beast, but Link defeats him and the power Midna received from Zelda is able to resuscitate her. Ganondorf then revives, and Midna teleports Link and Zelda outside the castle so she can hold him off with the Fused Shadows. However, as Hyrule Castle collapses, it is revealed that Ganondorf was victorious, as he appears before them and crushes Midna's helmet.
Ganondorf engages Link on horseback; assisted by Zelda and the Light Spirits, Link eventually knocks Ganondorf off his horse and duels him on foot before plunging the Master Sword into his chest. With Ganondorf dead, the Light Spirits revive Midna and restore her to her true form. After bidding farewell to Link and Zelda, Midna returns home and destroys the Mirror of Twilight with a tear to maintain balance between Hyrule and the Twilight Realm.
Concerned that the sequel would have the same problem, Aonuma expressed to producer Shigeru Miyamoto that he wanted to create a realistic Zelda game that would appeal to the North American market.
Miyamoto, hesitant about solely changing the game's presentation, suggested the team's focus should instead be on coming up with gameplay innovations. He advised that Aonuma should start by doing what could not be done in Ocarina of Time , particularly horseback combat.
In four months, Aonuma's team managed to present realistic horseback riding, [l] which Nintendo later revealed to the public with a trailer at Electronic Entertainment Expo The game was scheduled to be released the next year, and was no longer a follow-up to The Wind Waker ; [23] a true sequel to it was released for the Nintendo DS in , in the form of Phantom Hourglass.
Miyamoto explained in interviews that the graphical style was chosen to satisfy demand, and that it better fit the theme of an older incarnation of Link. Prior Zelda games have employed a theme of two separate, yet connected, worlds. The Zelda team sought to reuse this motif in the series' latest installment. It was suggested that Link transform into a wolf, much like he metamorphoses into a rabbit in the Dark World of A Link to the Past.
He dreamt that he was a wolf, locked inside a cage, and after he woke up, he was confused and disorentated and it took a while for him to remember where he was. The narrative premise in the story regarding the children of Ordon village getting kidnapped was an example of the game featuring darker story elements than any past iteration. From a gameplay perspective, the 'twilight world' portions of the game was vaguely inspired by the fact that prior Zelda title had always distinctively seperated it's dungeons from it's overworld.
It was wondered what the result would be if you took a traditional Zelda dungeon and put it inside the open world instead. This resulted in the hunt for tears of light the player partakes in when in the twilight covered world.
Regarding the atmophere of the Twilight covered Hyrule, as well as the Twilight Realm dungeon later in the game, the intent was to make players feel uncomfortable, however special care was taken to ensure that this was balanced right, so that it didn't make the player so uncomfortable that they didn't want to progress further or could not enjoy the experience. When he returned, he found the Twilight Princess team struggling.
Emphasis on the parallel worlds and the wolf transformation had made Link's character unbelievable. Aonuma also felt the gameplay lacked the caliber of innovation found in Phantom Hourglass , which was being developed with touch controls for the Nintendo DS.
At the same time, the Wii was under development with the code name 'Revolution'. Miyamoto thought that the Revolution's pointing device, the Wii Remote, was well suited for aiming arrows in Zelda , and suggested that Aonuma consider using it. Aonuma had anticipated creating a Zelda game for what would later be for the Wii, but had assumed that he would need to complete Twilight Princess first.
His team began work developing a pointing-based interface for the bow and arrow, and Aonuma found that aiming directly at the screen gave the game a new feel, just like the DS control scheme for Phantom Hourglass. Aonuma felt confident this was the only way to proceed, but worried about consumers who had been anticipating a GameCube release. Developing two versions would mean delaying the previously announced release, still disappointing the consumer.
Satoru Iwata felt that having both versions would satisfy users in the end, even though they would have to wait for the finished product. Aonuma then started working on both versions in parallel. Transferring GameCube development to the Wii was relatively simple, since the Wii was being created to be compatible with the GameCube.
The team worked on a Wii control scheme, adapting camera control and the fighting mechanics to the new interface. A prototype was created that used a swinging gesture to control the sword from a first-person viewpoint, but was unable to show the variety of Link's movements. When the third-person view was restored, Aonuma thought it felt strange to swing the Wii Remote with the right hand to control the sword in Link's left hand, so the entire Wii version map was mirrored. At E3 , Nintendo announced that both versions would be available at the Wii launch, [34] and had a playable version of Twilight Princess for the Wii.
Nintendo staff members reported that demo users complained about the difficulty of the control scheme. Aonuma realized that his team had implemented Wii controls under the mindset of 'forcing' users to adapt, instead of making the system intuitive and easy to use. He began rethinking the controls with Miyamoto to focus on comfort and ease.
To solve this, sword controls were transferred back to gestures—something E3 attendees had commented they would like to see. This reintroduced the problem of using a right-handed swing to control a left-handed sword attack.
The team did not have enough time before release to rework Link's character model, so they instead flipped the entire game—everything was made a mirror image. The GameCube version, however, was left with the original orientation. The Twilight Princess player's guide focuses on the Wii version, but has a section in the back with mirror-image maps for GameCube users. The game's score was composed by Toru Minegishi and Asuka Ohta, with series regular Koji Kondo serving as the sound supervisor.
Media requests at the trade show prompted Kondo to consider using orchestral music for the other tracks in the game as well, a notion reinforced by his preference for live instruments. Following the discovery of a buffer overflowvulnerability in the Wii version of Twilight Princess , an exploit known as the 'Twilight Hack' was developed, allowing the execution of custom code from a Secure Digital SD card on the console.
A specifically designed save file would cause the game to load unsigned code, which could include Executable and Linkable Format ELF programs and homebrew Wii applications. Announced during a Nintendo Direct presentation on November 12, , it features enhanced graphics and Amiibo functionality. Twilight Princess was released to critical acclaim and commercial success. It received perfect scores from major publications such as 1UP.
Download Wii Torrents. Play Backups on Moded Wii. Nintendo Wii Mod-Chips. Contact Us. Download GameCube Roms. WiiKey 2 - best new Mod Chip. All works, logos, and trademarks on this site are property of their respective owners.
Wii ISO. For these games to work on Your Wii - You must have it Unlocked with a special software tool OR a Mod-Chip has to be present in your console to bypass copy protection. All in just a couple of easy steps. Capcom: Ultimate All-Stars - a great fighter game which is at least at the same level as the Marvel vs. Wii Nintendo is trying to bring back gameplay that was able to provide some of the best experiences for many generations of gamers before.
0コメント